Andy is an award-winning director of theatre, music theatre and opera. He has also worked as creative producer of multidisciplinary arts programs, creative director of large-scale events and festival director. In 2007 he co-founded Slingsby.

Andy has also directed productions and events for Adelaide Symphony Orchestra, State Opera South Australia, State Theatre Company South Australia, Adelaide Festival of Arts, Adelaide Fringe, Adelaide Festival Centre, Adelaide Chamber Singers, Australian String Quartet, Windmill Theatre, Restless Dance, Tutti Ensemble, Rundle Mall Management Authority, the International Astronautical Federation and the World of Wearable Art.

Karen is an experienced finance and administration professional who has worked across small businesses, non-profit organisations, and arts institutions including Artlink magazine, the Contemporary Art Centre of South Australia, and SALA. Alongside her administrative and financial expertise, Karen is also a practising visual artist and designer. She holds a Graduate Diploma in Arts Management and a Bachelor of Visual Arts.

Quincy has spent his life being a freelance composer and musician, and written hundreds of works for soloists, chamber ensembles and orchestras that have been performed in many decades of concerts. 

He has written the music for over forty theatre works, for companies all over Australia, including two operas. 

He has played and written for many bands over the decades, in many different styles – the most recent being the despicable gypsy-influenced band Golonka and the folk outfit Miranda Bede. 

He has toured to many countries in Europe, Asia and the Americas.   

He is co-director of The Firm, a company that presents concerts each year featuring Australian classical musicians in programs of new Australian music along-side carefully chosen repertoire.

Quincy lives in Adelaide with his dear Anna, and has three children: Arland, Clara and Miranda.

• soundcloud.com/quincys-room/sets
• quentingrant.com
• YouTube Channel

For Slingsby, Wendy’s work has included The Young King, Man Covets Bird, and The Tragical Life of Cheeseboy (Set & Costume Design), The Boy Who Talked to Dogs and Emil & The Detectives (Set Design) and, most recently, A Concise Compendium of Wonder – The Tree of Light,  The Giant’s Garden, Childhood of the World, (Environment Design).

Wendy’s Set & Costume Design credits include Dead Man’s Cell Phone (Tim Overton/Wickedly Good Productions), The Thing That Matters and Touch & Go (Sally Chance Dance), Seashore (Sally Chance Dance/Dream Big), Vaudeville (Brink Productions/Rory Walker), Land + Sea (Brink Productions), Supernature and North/South (Australian Dance Theatre), The Lighthouse (Patch Theatre), Picaresque (Robyn Archer, Adelaide Festival), Long Tan (Brink Productions/State Theatre Company South Australia), Babyteeth, Blasted and Pornography (State Theatre Company South Australia). Wendy also designed the Adelaide Cabaret Festival’s opening, closing and family galas from 2016 to 2018 (Adelaide Festival Centre).

Wendy’s Set, Costume & Lighting Design credits include Symphonie de la Bicyclette (Brink Productions/Hew Parham) and The World Is Looking For You (Control Party).

For Adelaide Festival Centre, Wendy’s event designs include Adelaide Cabaret Festival (Co-designer 2015-2019) and Adelaide Guitar Festival (2016). Late-night club designs for Adelaide Festival include Blinc Bar (Designer, 2015), Lola’s Pergola (Design Assistant/Coordinator 2014), Barrio (Design Coordinator 2012-2013), and Persian Garden (Assistant Designer 2006, 2008). Wendy also designed the biannual Bowerbird Design Markets from 2013 to 2017.