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About

By Oscar Wilde, adapted for the stage by Nicki Bloom

What kind of King would you be? A naïve boy raised by goatherds is discovered to be heir to the kingdom. Treasures and privileges are laid at his feet, but at what cost to others? The achingly beautiful and tender language of Oscar Wilde joins the intimate and magical world of Slingsby.

Journey in wonder, to a land of challenging choices and rich rewards.

Highlights reel

Meet the creative team

Andy Packer

Artistic Director

Andy is a director of theatre, music theatre and opera. He has also worked as creative producer of multidisciplinary arts programs, producer of large-scale outdoor events and festival director.

Andy is a director of theatre, music theatre and opera. He has also worked as creative producer of multidisciplinary arts programs, producer of large-scale outdoor events and festival director.

Andy is renowned for creating original live performance moments that are emotionally powerful and visually bold. His work across theatre for young audiences, opera, cabaret and symphonic concerts has pushed him to develop a distinctive theatrical form that is at once personal and epic.

Andy has directed productions, concerts and events for Adelaide Symphony Orchestra, State Opera of South Australia, State Theatre Company of South Australia, Adelaide Festival of Arts, Adelaide Fringe, Adelaide Festival Centre, Adelaide Chamber Singers, Australian String Quartet, Windmill Theatre, Urban Myth Theatre of Youth, Southern Youth Theatre Ensemble, Restless Dance, Tutti Ensemble and Rundle Mall Management Authority.

Andy was Creative Producer of Programming at Carclew Youth Arts 2003-2006, Creative Producer of Family Events for Adelaide Fringe Festival 2007-2008 and Creative Director of Come Out Festival 2011.

Andy is on the Board of International Performing Arts for Youth (IPAY), based in Philadelphia, USA.

Nicki Bloom

Playwright

Nicki Bloom is an Adelaide-based writer. Her plays have been produced throughout Australia and internationally, and have won multiple awards.

Her plays include TENDER, BLOODWOOD, THE SUN AND THE OTHER STARS, LAND & SEA, A CATHEDRAL, LITTLE BIRD and VALE. Awards include the Adrian Consett Stephen Memorial Prize and the 2007 Inscription Chairman’s Award (TENDER); the 2008 Patrick White Playwrights’ Award and the 2009 Inscription Playwriting Award (BLOODWOOD); the 2012 Barbara Hanrahan Fellowship and the 2012 Patrick White Playwrights’ Award (THE SUN AND THE OTHER STARS); the 2012 Jill Blewett Award (A CATHEDRAL) and the 2015 AWGIE for Best Writing for Music Theatre (LITTLE BIRD).

She has also worked as an adaptor, creating new versions of Ibsen’s GHOSTS, Shakespeare’s ROMEO AND JULIET and Oscar Wilde’s THE YOUNG KING.

She has been twice nominated for Helpmann awards, in 2015 (Best New Australian Work, LITTLE BIRD and 2016 (Best Production Children’s Theatre, THE YOUNG KING.)

Her plays are published by Currency Press and Phoenix Educational Press.

Quincy Grant

Artistic Associate - Composer

Quincy is an Adelaide based director of theatre, music theatre and opera. He has also worked as creative producer of multidisciplinary arts programs, producer of large-scale outdoor events and festival director.

Quincy Grant composes music for theatre, concert stage and film. His work includes music for plays such as The Tragical Life of Cheeseboy, and When the Rain Stops Falling; many works for orchestra that have been played in Germany, Canada, and by the leading Australian orchestras; and soundtracks for films and documentaries broadcast on the ABC and SBS. He also writes for concert performances and film, and plays in many groups: from rock to new music and, most recently wild gypsy music with Golonka.

He is co-director of The Firm, a company that presents concerts each year featuring Australian classical musicians in programmes of new Australian music along side interesting repertoire. In 2013 his first opera, An Ode to Nonsense, was premiered by Slingsby and the State Opera of South Australia.

Quincy lives in Adelaide with four dear ones – Anna, Arland, Clara and Miranda.

Geoff Cobham

Artstic Associate - Lighting

Geoff has worked as an Event Producer, Production Manager, Lighting Designer, Set Designer, Public Artist and Venue Designer. His work has ranged from many smaller innovative productions to large scale theatre/dance productions, festivals, art exhibitions, events, museums and venue creation.

Awards include: Ruby Award for Sustained Contribution, Green Room Award Best lighting Design for Night Letters (State Theatre Company of South Australia), Sydney Theatre Award Best Lighting Design for Never Did Me Any Harm (Force Majeure), Helpman Award for Best Scenic Design for Little Bird (State Theatre Company of South Australia). Geoff is Artistic Associate (Design) for Slingsby.

Wendy Todd

Designer

Wendy is an Adelaide based designer of theatre, events and spaces. Wendy has worked extensively with Slingsby since 2007.

Wendy is an Adelaide based designer of theatre, events and spaces.

Recent production designs (Set & Costume Design for all productions) include: Nursery 2014, (Sally Chance Dance), Babyteeth 2013, Blasted 2012, Pornography 2012 (State Theatre Company of South Australia), Land & Sea 2012, Skip Miller’s Hit Songs 2011, Harbinger 2010 (Brink Productions), Man Covets Bird 2010, The Tragical Life of Cheeseboy 2007 (Slingsby), Worldhood 2011 (Australian Dance Theatre), A Lion In The Night 2012, The Little Green Tractor 2011 (Patch Theatre Company), Cutaway III, 2013 & II, 2012 (Vitalstatistix), Ruby Bruise 2010 (The Misery Children & Vitalstatistix).

Recent event designs: Designer Blink Bar 2015 Adelaide Festival of Arts Precinct, Design Assistant/Coordinator Lola’s Pergola 2014, Design Coordinator of Barrio 2013 & 2012, Assistant Designer Persian Garden 2008 & 2006 (Late Night Clubs of the Adelaide Festival of Arts), Event and Gala Designer Adelaide Cabaret Festival 2015, Design Coordinator Adelaide Cabaret Festival 2014 (Adelaide Festival Centre), Bowerbird Design Markets 2014, 2013, 2012.

Chris Petridis

Lighting Designer

Chris is a lighting and video designer from Adelaide. Following his completion of the Technical Production course at the Adelaide Centre of the Arts, Chris has continued to develop his experience across theatre, dance, and other live events in Australia and internationally

Chris is a lighting and video designer from Adelaide. Following his completion of the Technical Production course at the Adelaide Centre of the Arts, Chris has continued to develop his experience across theatre, dance, and other live events in Australia and internationally.

Chris has worked with State Theatre Company of South Australia on Mr Burns, Red Cross Letters, Eh Joe for the Beckett Tryptych, Gorgon, Masquerade, The Kreutzer Sonata, Maggie Stone and Little Bird. Chris has completed designs for Brink Productions’ Long Tan, Tiny Bricks’ Deluge. Australian Dance Theatre’s The Beginning of Nature Part 1 and Ignition 2016. Restless Dance Theatre’s Touched. Slingsby Theatre Company’s The Mouse, The Bird and The Sausage. Windmill Theatre Company’s Grug and the Rainbow, Big Bad Wolf and Story Thieves. Vitalstatistix’ Quiet Faith, Someone like U’s Bitch Boxer. Torque Show’s MALMÖ, The Border Project’s Half Real, Ludwig’s Fleck and Flecker, five.point.one’s Muff and a multimedia performance project for Country Arts SA called If There Was A Colour Darker Than Black I’d Wear It. Chris has also worked in association with Geoff Cobham on a number of projects including creating the visual aesthetic for Force Majeure’s Never Did Me Any Harm using light and video.

Chris will continue to explore the synthesis of light and video wherever possible.

Production Credits

  • Director Andy Packer
  • Playwright Nicki Bloom
  • Performer Jacqy Phillips
  • Performer Tim Overton
  • Composer and Musician Quincy Grant
  • Lighting Designer Geoff Cobham
  • Designer Wendy Todd
  • Education Consultant Hannah McCarthy Oliver

Production Credits

What people are saying

“The attention to detail is phenomenal…majestic and utterly delightful.” Gordon Forester, Limelight

“Oh, Slingsby, you’ve done it again!” David Grybowski, The Barefoot Review

“…will delight all and bring back magic and wonder through a truly excellent theatrical experience.” Brian Godfrey, Adelaide Theatre Guide

“Slingsby’s beautifully staged adaptation of Wilde’s visionary parable has woven a spell that offers hope for a better world.” Peter Wilkins, Canberra Critics Circle

“**** (4 stars) "...The Young King feels like entering another world..." "An Adelaide Festival highlight, and a beautiful production for audiences aged eight to 80.” Richard Watts, Artshub.com.au

“…an immersive, otherworldly show, punctured with serious life lessons.” Debbie Cuthbertson, Sydney Morning Herald

“It is possible to believe that we are characters in a great fairytale. A touching, meaningful and involved production.”

Daniel McLean, On Dit